The Messenger (2014, oil and tempera on panel, 11 -- 17 inches) When one thinks about threads within contemporary painting and especially the post-Pop genre of Magic Realism, Leonardo da Vinci doesn't come up all that often -- but then neither does egg tempera, the delicate but rewarding pigment formula da Vinci used to paint the Last Supper mural. Deirdre Sullivan-Beeman is a self-taught artist whose deft combination of both modes of art-making yield mesmerizing results that satisfy the impulse...
The Messenger (2014, oil and tempera on panel, 11 -- 17 inches) When one thinks about threads within contemporary painting and especially the post-Pop genre of Magic Realism, Leonardo da Vinci doesn't come up all that often -- but then neither does egg tempera, the delicate but rewarding pigment formula da Vinci used to paint the Last Supper mural. Deirdre Sullivan-Beeman is a self-taught artist whose deft combination of both modes of art-making yield mesmerizing results that satisfy the impulse...
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